the 22"x30" MD2 drawing from July 2022 is the original drawing the video is based on.
I started the “Moving Drawing” project in 2021 to explore drawing’s relationship to sound (or silence), movement, and time. Drawing is an intimate experience. In my creative process, I hold a cellphone in my left hand to record while my right hand draws or erases. While doing so, I record the touch and various mark-making of my right hand on a paper surface, the tactile sounds of pencil friction, resistance and movement, the sounds of erasing, the room's ambiance, street sounds, sunlight and shadows, and all the unpredictable occurrences, ie, a bug crawling on paper. I then edited these video and audio recordings together to allow new contexts and insights to merge. The Moving Drawing Project transforms an original, tangible, material-based drawing into duplicable digital data of time-based video, sound, and images through the interface of human hands, highlighting process, change and renewal, and interconnections. These works draw inspiration from daily urban life and mediated experiences of the world's conflicts and complexities. Video art merges technology and creativity, helping us explore thoughts, evoke emotions, and spark conversations about contemporary issues. How do I respond to everyday ambiguities and to the impact of conflict and violence, near and far, through drawing, video, and sound? How does the advancement of AI technology, now an integral part of our lives, affect our tactility, sight and auditory experiences? I often zoom in on edits to magnify and transform details, highlighting the power of resizing, cropping, and selection, and how these editing choices can strongly affect image (mis)representations, content and information. How do these editing strategies shape our visuality and perception of reality? What constitutes the "truth" or "truths" in this time of AI, divisions and disorder?