the 22"x30" MD2 drawing from July 2022 is the finished drawing the video is based on.
I started the “Moving Drawing” project in 2021 to explore drawing’s relationship to sound (or silence), time and movement. Drawing is an intimate experience of body, mind and spirit. In my creative process, I use my left hand to capture uncontrollable cellphone recordings of movements and sound, while my right hand draws or erases. While doing so, I record the physical touch and various markings of my right hand on a paper surface, the tactile sounds of pencil friction and resistance and movements on paper, the sounds of erasing, the room's ambiance, sounds from the streets, sunlight and shadows, and all the unpredictable occurrences, ie, a bug crawling on paper. I then edited these video and audio recordings together to allow new contexts and insights to merge. The Moving Drawing Project transforms a physical, tangible drawing into a digital time-based video, sound, and images through the interface of human hands, highlighting process, change, and interconnections. The inspirations for these works are rooted in daily urban life and in mediated experiences of the world's conflicts and complexities. Video art merges technology and creativity, helping us explore thoughts, evoke emotions, and spark conversations about contemporary issues. How do I respond to everyday ambiguities and to the impact of conflict and violence, near and far, through drawing, video, and sound? How does the advancement of AI technology, now an integral part of our lives, affect our tactility, sight and auditory experiences? I often zoom in on edits to magnify and transform details, highlighting the power of resizing, cropping, and selection, and how these editing choices can strongly affect image (mis)representations and media content. How do these editing strategies shape our visuality and perception of reality? What constitutes the "truth" or "truths" in reality, especially in this time of division and chaos?